CLICK TO ENLARGE TRAILER

 

T H E   H U N G E R

THURSDAY, OCTOBER 30,  7 PM 
Runtime 97 min + post-film discussion

 

 

THE HUNGER was one of the first “modern day” vampire films, discarding the clichéd cloaks, crucifixes and garlic. In this 1983 cult classic, director Tony Scott (True Romance, Crimson Tide, Man on Fire, Top Gun) softened the vampire genre to create a more sophisticated, intellectual, lush and sensual atmosphere.

The excellent performances by stars Catherine Deneuve, David Bowie and Susan Sarandon enhance the film’s aesthetic, aided by a supporting cast of Cliff De Young, Dan Hedeya and Beth Ehlers, plus cameos by newcomers Willem Dafoe and Jane Leeves.

Production values are exceptional, artfully contrasting the hustle-and-bustle of New York City with cinematographer Stephen Goldblatt’s gauzy, muted blues and greens in the interior scenes.

Done without computer imagery, the special effects make-up by Dick Smith is amazing as he ages David Bowie 150 years in a single scene, and Smith’s team also created the film’s mummies. 

Yves Saint Laurent dressed Deneuve for the film adding haute couture to her seductive, frightening and thoroughly elegant portrayal of Miriam Blaylock.

WHAT, WHERE, WHEN, TIX

WHAT:

“THE HUNGER”
Director Tony Scott,
UK/USA, 1983, 97 minutes. Genre: cult classic romance-horror thriller. Rated (R) for violence, nudity, sexual situations.

WHERE:

☀ THE GARFIELD THEATRE,719 Race St., Cincinnati 45202.   
Google Map
      Garfield Parking Options

WHEN:

☀ 7:00 pm, Thursday October 30, 2025.
Doors/box office open at 6:30.

TICKETS:

Tickets are $10.00 in advance, $15.00 at the door.  Advance tickets are available online via the Tix Button, and by phone at (859) 957-3456.

ADA ACCESS & SAFETY PROTOCOLS:

The Garfield is ADA accessible, offering a direct indoor path — no ramps, no stairs — from the front door to wheelchair spaces and companion seats. Individuals using walkers, scooters or wheelchairs should call (859) 957-3456 at least 48 hours in advance to confirm your screening date and time. When notified, our staff will be standing by to assist. Additional info can be found on the CWC Policies Page.

TERMS OF PURCHASE:

Purchase of a ticket confirms acceptance by the purchaser that the presenter/host and their staff will not be liable for any loss, damage, action, claim, cost or expenses which may arise in the consequence of attendance at this event.  Outside food and drink is not allowed in the theatre. Sales are final, no refunds, no exchange.

SYNOPSIS

The story follows an elegant pair of vampires, affluent New Yorkers Miriam and John Blaylock (Deneuve, Bowie) and their encounter and ultimate love triangle with gerontologist Sarah Roberts (Sarandon).

Against a background of live performance and music by Bauhaus we first meet John and Miriam as they prowl a trendy NYC club in search of excitement and a bit of blood.

The last of a line of Egyptian vampires, Miriam Blaylock is immortal and her enigmatic presence dominates the film from beginning to end. Miriam’s paramours over the centuries gain longevity from the mix of Miriam’s blood with their own, but it comes with a price: after three hundred years they age rapidly and become living mummies.

Bowie’s on-screen aura of wounded vulnerability provides a tragic depth to John’s increasing despair over signs of his accelerated aging. He seeks help from gerontology researcher Dr. Sarah Roberts, who initially blows him off as a crank.

After realizing John Blaylock has aged decades in a matter of mere hours, Roberts visits the Blaylock mansion the next day to learn more. She encounters Miriam, home alone. The two women are taken with each other and we witness the famous seduction scene wherein Miriam impulsively decides that Sarah should become her next life companion.

What happens next we will not reveal, but the film has a surprise ending.
 

DIRECTOR BIO

TONY SCOTT
coming soon…

is an award-winning filmmaker who has worked on some of the most high-profile

DRINKS & DINING

CLICK TO ENLARGESHANGHAI
ON ELM

Please welcome Shanghai on Elm to the CWC film family!   One-and-a-half blocks from the theatre at 7th & Elm, this friendly, fun and affordable Asian fusion eatery offers late-night hours: 5 PM-Midnight, Tuesday-Wednesday-Thursday; and 5 PM-2 AM, Friday-Saturday. Closed Sunday.

Perfect for a post film drink or delicious selection from their extensive menu – big-bowl noodle soups, vegetarian and gluten-free dishes, traditional stir fry, fish/scallops/shrimp/prawn, plus all manner of wontons, dumplings, noodles, rice and homemade sauces.
Also open for lunch, 11 AM – 2 PM, Monday-Friday.

CWC patrons receive a 15% discount on their order, excluding alcohol; The discount is valid only for the date of a CWC screening. Let your server know you are a CWC patron and ask for your discount. Hours and menu subject to change – check before booking. 
RESERVATIONS RECOMMENDED:  513-906-7000,  Shanghai On Elm.

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CLICK TO ENLARGEBUTCHER
& BARREL

It couldn’t be easier – across the street from the Garfield Theatre, you’ll find the Butcher & Barrel, home of delicious shareables, salads, entrees, sides and desserts, plus excellent wine, craft beer and mixed drinks.

CWC patrons receive a 15% discount on their order, excluding alcohol; menu is on the website. Reservations are strongly recommended, especially if you are dining between weekend sessions. You should present your online confirmation or ticket from the event, and let your server know if there are time constraints. The discount is valid only for the date of ticket.

HOURS: MON, closed; TUE-WED-THS, 4-10 pm; FRI-SAT, 4-12 am; SUN, 4-10 pm. The kitchen closes one hour before the restaurant. Hours and menu subject to change – check the website before booking.  RESERVATIONS REQUESTED: 513-954-8974 or thebutcherbarrel.com.


Did you know…

David Bowie learned to play the cello for his music scenes and Beth Ehlers  learned the basics of violin for her role.

The famous love scene between Deneuve and Sarandon was shot on a closed set.

Director Tony Scott had to actively campaign for the casting of Willem Dafoe in a small part.

Tony Scott discovered the rock group Bauhaus in a London nightclub and decided to put them in the movie.  Their song “Bela Lugosi’s Dead” is heard during the opening credits and start of the film.

Most of the film was shot in London, with only one week’s shooting in New York, for exteriors. The 19th Century mansion seen in the movie was located in the affluent London suburb of Mayfair.

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