by | Nov 14, 2022 | Films

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RARE EXPORTS:
A CHRISTMAS TALE

New York Times Critic’s Pick

Ralphie, Snoopy and the Hallmark / Lifetime franchises have an established place in the Christmas mediascape, but Rare Exports is something different – an intriguing alternative to the overload of traditional holiday fare.

An entertaining dark comedy combining deadpan Finnish humor and dramatic tension, the film is built on the Nordic legend of Joulupukki, which translates to “Yule Goat.” Celebrating midwinter, Yule was a pre-Christian pagan festival, and the goat character was the predecessor of Saint Nicholas and Santa Claus.

In essence a parody riffing on Christmas and horror themes, it is not a slasher film but relies upon suspense using a Hitchcockian sense of anticipation. The result is highly original and multi-layered.

For adults, but told through a young boy’s POV, the film revolves around the relationship between the widowed single parent Rauno and his young son Pietari who encounter strange happenings as they prepare for the yuletide holidays. BTW, played by a real-life father and son.

WHAT, WHEN, WHERE, COST

WHAT:
“RARE EXPORTS: A Christmas Tale”
Director Jalmari Helandar, Finland, 2010, 82 min, dark humor/suspense, rated R – not for young children.
A joint international production (Finland, Norway, Sweden and France, with support from the Finnish Film Foundation, the Norwegian Film Institute, and Filmpool Nord.

WHERE:
THE GARFIELD THEATRE, 719 Race St., Cincinnati, OH 45202.
Google MapGarfield Parking Options

WHEN:
Monday, December 12, 7:00 pm
Tues
day, December 13, 7:00 pm

TICKETS:
General Admission Tickets are $10 in advance, $15 at the door; available online via the Tix Button (top of this webpage), and by phone at (859) 957-3456.

ADA ACCESS & SAFETY PROTOCOLS:
The Garfield is ADA accessible. ADA details and Covid-19 information can be found on the CWC Policies Page.

Proof of Covid-19 vaccination is not required for admission, Monday – Saturday.
Proof of Covid-19 vaccination is required for admission, Sundays.
Masking is recommended but not required.

TERMS OF PURCHASE (In-Theatre):
Purchase of a ticket confirms acceptance by the purchaser that the presenter/host and their staff will not be liable for any loss, damage, action, claim, cost or expenses which may arise in the consequence of attendance at this event.
Purchaser declares that they will not attend unless in good health on the day of the event. Further, purchaser understands it is impossible to guarantee that they will not be exposed to Covid-19 and will attend at their own risk.  No refunds, all sales are final.

    ABOUT THE FILM

    A New York Times Critic’s Pick with multiple festival wins, the film uses sly, deadpan Nordic humor in this entertaining and unpredictable thriller. While it is a mash-up of traditional Christmas movies with a nod to the horror genre, the cast plays it straight, creating a story arc that stands on its own. 

    Essentially a parody, you’ll see why Rare Exports has attained cult status, complete with an adorable young star and a Santa Claus that Mommy won’t be kissing under the mistletoe!

    Parents’ Note: there are brief moments of incidental male nudity – not salacious – just a bunch of wrinkled geriatric men, thus an R rating. PG-13 might be appropriate if a teen is mature enough to handle a glimpse of grandpa’s wizened willy.

    BACKGROUND

    In Finnish, Joulupukki means the “Yule Goat,” who was part of pagan festivities honoring the solstice and return of the sun. The predecessor to Saint Nicholas (who came to Nordic lands from Turkey by way of Europe), he was a larger-than-life old man who wore goat skins and horns, known to frighten and punish children who had behaved badly.

    According to the legend, the Sami (Laplander) people captured Joulupukki after he fell into a lake and was frozen in a block of ice. To keep him from terrorizing children, they built a huge mound with the ice-bound Joulupukki embedded within. Which brings us to the story of Rare Exports…

    SYNOPSIS

    It’s almost Christmas in the isolated far north of Finland near the Russian border where thousands of reindeer roam the land. In a small village on the tundra near the mountain called Korvatunturi residents are preparing for the Holiday and the annual roundup of the reindeer herd.

    Rauno is a reindeer rancher by trade, assisted by his young son, Pietari. His wife is dead, the reindeer business is failing and life is hard for Rauno and his son. And now, strange things are happening…

    What happened to the reindeer herd? So many slaughtered, but so little eaten. Wolves don’t do that.  Maybe it has to do with a top-secret American-led “archaeological dig” at the summit of Korvatunturi, and a large block of ice removed from the mountain core?

    An avid reader and student of legends, young Pietari suspects the worst as kids from the village disappear, as do odd things like the town’s heaters and a farmer’s potato sacks.

    What about the mysterious figures lurking in the forest? And bare footprints found on a roof?

    Why do the adults put one of Joulupukki’s helpers in a neighbor’s Santa suit and put him in a cage?

    What’s going on?  We know but aren’t telling.   See for yourself!

    FROM THE DIRECTOR

    RARE EXPORTS: A CHRISTMAS TALE is a re-imagining of the most classic of all childhood fantasies, and a darkly comic tale becoming perennial holiday viewing.

    The events happen mainly in a bankrupted reindeer slaughterhouse. The father of a little boy is struggling to keep the family business going. Their way of living is dying and it seems there is nothing they can do about it. Because of that he has no time for his son and he does not realize how scared the boy is. But this Christmas holds a surprise for them all. A chain of peculiar events will even save the family business.

    I wanted to handle great events in small circles and create fantasy with a realistic approach. Even though the everyday life in the film is slightly emphasized or stylized, the thought behind it is that this could really happen. We do not need computer generated special characters or wondrous fairy tale worlds. What we need is a scary looking old man and an old reindeer slaughterhouse.

    The feel of the film is isolated. A small community rests in the shadow of huge mountains and in the middle of large open spaces. I wanted to show how small the people really are against nature and the ancient creatures that have been here far longer than us. In this film normal people are caught in the middle of supernatural events. Still, there is also a comedy side of the style. After all we are dealing with Santa, not space aliens.

    It is peculiar that no one has taken up this subject matter before. It feels like no one has even thought about what the real Santa Claus might have been like. What did the notorious Yule Goat that used to go from house to house in the old days represent, and why were Christmas and Santa Claus forced into the complete opposite of their roots? The horned creature that used to bring twigs to children is now a chubby, red-coated every child’s best friend.

    Still, after all of this, children still seem to be afraid of Santa Claus and wait for him with anxiety. They have the same feelings about spiders and snakes. It’s called the self-preservation instinct.

    Jalmari Helander, author/director

    FESTIVAL AWARDS

    FESTIVAL AWARDS & NOMINATIONS
    twelve wins, two additional nominations

    Locarno International Film Festival
    Winner    Variety Piazza Grande Award, Jalmari Helander

    Sitges – Catalonian International Film Festival
    Winner   Best Cinematography, Mika Orasmaa
    Winner   Best Director, Jalmari Helander
    Winner   Best Film
    Winner   Grand Prize of European Fantasy Film, jalmari Helander

    Jussi Awards
    Winner   Best Cinematography, Mika Orasmaa
    Winner   Best Music, Juri Seppä and Miska Seppä
    Winner   Best Sound Design, Tuomas Seppänen, Timo Anttila, Jussi Honka
    Winner   Best Editing, Kimmo Taavila
    Winner   Best Art Direction, Jalmari Helander
    Winner   Best Costume Design, Saija Siekkinen
    Nominee   Best Film, Petri Jokiranta

    Academy of Science Fiction, Fantasy & Horror Films, USA
    Nominee   Saturn Award Best International Film

    Brussels International Festival of Fantasy Film (BIFFF)
    Winner   Pegasus Audience Award Best Film, Jalmari Helander (director)

     

    DRINKS & DINING

    CLICK TO ENLARGEIt couldn’t be easier – across the street from the Garfield Theatre, you’ll find the Butcher & Barrel, home of delicious shareables, salads, entrees, sides and desserts, plus excellent wine, craft beer and mixed drinks.

    For CWC patrons, the Butcher and Barrel offers a 15% discount on your order, excluding alcohol; menu is on the website. Reservations are strongly recommended, especially if you are dining between a CWC double feature. You should present your online confirmation or ticket from the event, and let your server know if there are time constraints. The discount is valid only for the date of ticket.

    HOURS: MON-TUE, closed; WED-THS, 4-10 pm; FRI-SAT, 4-12 am; SUN, 4-10 pm. The kitchen closes one hour before the restaurant, every night. Hours and menu subject to change – check the website before booking. RESERVATIONS REQUESTED: 513-954-8974, thebutcherbarrel.com.

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